He has none, of course.
Appearing to carry one
in the specious recesses
of his homogeneous cells
is just his way of saying
Look, we’re all alike:
we each chew our cow
or our cowslip with the same
raw grin, greet tomorrow
with the same idle threat
of disregard, looking over
our shoulders at our footprints
in the muddle of desire. Like you
I’m normal, tricked out
with darkness seeming to murmur
its undetectable counterpoint
to the beating of my heart,
so perfectly synchronized with yours
you spend the better part
of your life walking through me
into your image of yourself.
We
do the tricking, just as we
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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