So here I go in the famous Spanish slowness.
Clouds advance in their relentless armada—
(Thornton Wilder once said it takes a year
to get a letter from Spain). Soon, it will be time
for us to start a little late, Aloysi will flip
the switches for the circuit breakers. The cathedral
will be lit. The Metro will rumble. The poor
will line up for their bags of food. The masses
will pray and shout into their cell phones,
waiting for their handout. Aloysi will preach,
the bishop will sing, and I’ll hold out
the money plate. Indefinitely, here, I belong.
Earth floats, cantilevered, and my bishop’s eye,
dead, reddens, might be cut out, does not track,
and floats in the world now like part of a mobile.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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