My Dalmation yearns to speak to me this morning.
She is more-than-elegant in her sleek musculature—
demure, nubile, oddly cat-like before breakfast.
Once in the fields she crouches, her face to my face,
her eyes bulging with conviction, venerable
as the pocked statue of a griffin seated
two thousand years on the desert floor,
virgin throat pulsating with grisly secrets;
the beasts know how to live, I’m thinking,
blindly improvising beyond time—oh to be
drawn through life by such a nose!
The grasses dry to a sticky pertness
cantilevered toward the sun like radar dishes.
Man and dog, we curl up in this crisp orange light
my ear pressed desperately to her underbelly.
After hours of thundering, I hear:
Always pee on bushes at the corners of your yard
It’s a dog-eat-dog world; only vomit on cloudy days
Avoid cats and porcupines; eat bloodroot for heartburn.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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