Telling our story is . . . painful as anything
I’ve ever done. More painful than. A lapse
Of time so long and I’d assumed, wrongly,
These subjects for the most part would have lost
Their power to hurt. The truth is, now I wish
They hadn’t pled their case to me. The wound
Reopens; so clearly was never healed.
What sort of doctoring is it that wounds?
The question raised experimentally,
Either to prove I should renounce or else
Regain the urgent impulse that made me start.
Words and meanings fall into place as though
They were . . . a solid reason to continue,
Some inkling why I want to give them voice—.
I recall, too, periods doing no work:
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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