Junked hypodermics made it hard to walk
along the Tiber by the deserted, grand
sandstone embankment of the temple block.
In the river, itself the color of umber mud under sand,
two navy frogmen hugged us for a block.
The bubbles from their air tanks pocked
the water. Twin snorkels rose to slice
the sleazy surface. An inflated life boat
weighed down by officers in summer whites
was making progressively tighter figure 8’s,
drawing in nets with water bottle floats.
A cardinal streaked by in a chauffeured launch,
pudgy fingers folded fiat against his paunch.
His backwash brought the frogmen to a boil.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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