I am a garden graced by every beauty:
See my splendor, then you will know my being.
For Mohammad, my king, and in his name
The noblest things, past or to come, I equal:
Of me, a work sublime. Fortune desires
That I outshine all other monuments.
What pleasure I provide for eyes to see!
In me, any noble man will take fresh heart:
Like an amulet the Pleiades protect him,
The magic of the breeze is his defender.
A shining dome, peerless, here displays
Evident splendors and more secret ones.
Gemini extends to it a touching hand.
Moon comes to parley, stars clustering there
Turn no longer in the sky’s blue wheel:
In the two courts, submissively, they linger
To be of service to their lord, like slaves.
It is no marvel that the stars should err,
Moving across their marks and boundaries,
And are disposed to serve my sovereign lord,
Since all who serve him glory in his glory.
The palace portico, so beautiful
It bids to rival heaven’s very vault;
Clothed in a woven raiment fine as this
You can forget the busy looms of Yemen.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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