Another feast day, and the bells are ringing.
The bells are ringing, and not more
than a handful of versts from here,
in the garden of dead hypotheses,
Russia is rising from beds
lavish with nettles and pokeweed,
and from the stalks of fennel obscuring
the mildewed statuary.
Not more than a handful of versts from here,
closer than we thought was possible,
the Tartar ponies are pawing at their stakes,
the tents of the Golden Horde
are stretching from here to there.
Closer than we thought was possible,
Basil, Yaroslavl, the Pantokrator,
the fifth of fifty five-year plans,
the Vladimir Mother of God.
Much has happened in the years between
1200 A.D. and today, and it is
happening again right now.
To lighten the sleigh, a young girl
is being thrown to the wolves.
The Metropolitan is telling the Old Believers
that only with beauty can we coax
the divine into our nets.
The bones of the young girl thrown to the wolves
are half-immersed in strong moonlight.
Thunder in the faraway altitudes,
vacant and subliminal,
is throwing off the rhythms
of the villagers sheaving the rye.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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